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A bulla (or clay envelope) and its contents on display at the Louvre. Uruk period (4000–3100 BC).. A bulla (Medieval Latin for "a round seal", from Classical Latin bulla, "bubble, blob"; plural bullae) is an inscribed clay, soft metal (lead or tin), bitumen, or wax token used in commercial and legal documentation as a form of authentication and for tamper-proofing whatever is attached to it ...
Clay bulla impressed with the seal of Barnamtarra, wife of Lugalanda, ensi (ruler) of Lagash. Early Dynastic III, c. 2400 BC. Found in Telloh (ancient Girsu). Two main types of seals were used in the Ancient Near East, the stamp seal and the cylinder seal.
King Ahaz's seal is a bulla (impressed piece of clay) originating from the 8th century BCE. The place of discovery of this seal is unknown, and it is currently part of Shlomo Moussaieff 's private collection.
The seals can live for as many as 30 years in the wild, while dealing with predators like orcas and larger leopard seals. They survive on fish, squid, and other smaller prey to survive.
Necklace with lenticular bulla, Ostia, Augustan age, gold. Roman bullae were enigmatic objects of lead, sometimes covered in gold foil, if the family could afford it. A bulla was worn around the neck as a locket to protect against evil spirits and forces. Bullae were made of differing substances depending upon the wealth of the family.
The King Hezekiah bulla is a 3 mm thick soft bulla (piece of clay with the impression of a seal) measuring 13 × 12 mm (½ in × ½ in). It was found in an archaeological excavation together with 33 other seals, figurines and ceramics, in an ancient refuse dump adjacent to the Temple Mount in Jerusalem by Israeli archaeologist Eilat Mazar.
Hawaiian monk seals grow to be 6-7 feet long, weigh 400-600 pounds, and can live more than 30 years. Males and females are generally the same size — the only way to tell them apart is to look at ...
The term "bulla" derives from the Latin "bullire" ("to boil"), and alludes to the fact that, whether of wax, lead, or gold, the material making the seal had to be melted to soften it for impression. In 1535, the Florentine engraver Benvenuto Cellini was paid 50 scudi to recreate the metal matrix which would be used to impress the lead bullae of ...