Search results
Results from the WOW.Com Content Network
The foreword to Men I Have Painted, by John McLure Hamilton; 1921 Foreword, to a 1900 book in German. A foreword is a (usually short) piece of writing, sometimes placed at the beginning of a book or other piece of literature. Typically written by someone other than the primary author of the work, it often tells of some interaction between the ...
A preface (/ ˈ p r ɛ f ə s /) or proem (/ ˈ p r oʊ ɛ m /) is an introduction to a book or other literary work written by the work's author. An introductory essay written by a different person is a foreword [contradictory] and precedes an author's preface. The preface often closes with acknowledgments of those who assisted in the literary ...
In a book of technical writing, the introduction may include one or more standard subsections: abstract or summary, preface, acknowledgments, and foreword.Alternatively, the section labeled introduction itself may be a brief section found along with abstract, foreword, etc. (rather than containing them).
[2] It is "a zone between text and off-text, a zone not only of transition but also of transaction: a privileged place of pragmatics and a strategy, of an influence on the public, an influence that ... is at the service of a better reception for the text and a more pertinent reading of it".
[9] Because of the use of similar terms and similar deficiencies, Osiander could see "little technical or physical truth-gain" [9] between one system and the other. It was this attitude towards technical astronomy that had allowed it to "function since antiquity, despite its inconsistencies with the principles of physics and the philosophical ...
Working: People Talk About What They Do All Day and How They Feel About What They Do is a 1974 nonfiction book by the oral historian and radio broadcaster Studs Terkel. [ 1 ] Working investigates the meaning of work for different people under different circumstances, showing it can vary in importance. [ 2 ]
[1]: 2 Ben Jonson has often been noted as using the prologue to remind the audience of the complexities between themselves and all aspects of the performance. [2] The actor reciting the prologue would appear dressed in black, a stark contrast to the elaborate costumes used during the play. [3] The prologue removed his hat and wore no makeup.
The most marked pattern in ‘Infant Joy’ is the double rhyme repeated in lines three, six, nine, and twelve, this pattern contrasts with the more insistent rhymes found in "Infant Sorrow". The two stanzas and their contrasting speakers, use repetition with variation link many of the other 'Songs of Innocence' poems, demonstrating what critic ...