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The MU-series product line superseded the company's previous TG-series modules, the TG100 and TG300. Although the majority of Yamaha's MU-series modules were meant for the home user, the company also made rack-mount versions of the MU90 and MU100 called the MU90R and MU100R, respectively, for professional use.
Yamaha recommend that this device be used with the Yamaha VL70m Virtual Acoustic Tone Generator. The WX7 was the first model that Yamaha produced, beginning in 1987. [ 43 ] This was followed by the WX11 in 1993, [ 44 ] and then the WX5 in 1999—2001. [ 45 ]
Based on Yamaha YM2608 (OPNA) [84] [85] Yamaha YMF7xx (a.k.a. OPL3-SA) 1997 36 18 4 Embedded audio chipset in some laptops and sound cards (including PCI, ISA and Yamaha Audician 32) Integrates Yamaha YMF262 (OPL3) [86] [33] [87] Yamaha YMU757 (a.k.a. MA-1) 1999 8 4 2 Some 2000s and 1990s cellphones, PDAs [88] Yamaha YMU759 (a.k.a. MA-2) 2000 ...
The QY10's tone generator is a sample-based synthesizer using Yamaha's 12-bit Advanced Wave Memory synthesis technology. The tone generator is eight part multi-timbral (i.e., eight instruments may sound at once) and 28 note polyphonic (i.e., 28 notes may sound at once), which provides adequate support for sequences written on the unit. In other ...
The Yamaha PTX8 is a digital sample-based percussion tone generator built by Yamaha, in late 1986. [1] It was included in the Yamaha D8 electronic drum kit. [ 2 ]
In addition to OPL3, DOS applications running under Windows 9x/Me can also use the XG tone generator. All of these features are available using Yamaha's VxD driver under Windows 9x/Me. WDM drivers for these operating systems and later Windows 2000/XP may lack important mixer controls, like separate Line-Out and 3D Wide.
Yamaha's DX7 synthesizer, released in 1983, was ubiquitous throughout the 1980s. Several other models by Yamaha provided variations and evolutions of FM synthesis during that decade. [13] Yamaha had patented its hardware implementation of FM in the 1970s, [10] allowing it to nearly monopolize the market for FM technology until the mid-1990s.
The internal operation of the chips is completely digital. Each FM-tone is generated by a digital oscillator using a form of direct digital synthesis.A low-frequency oscillator and an envelope generator drive an FM operator to produce floating-point output for the DAC.
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