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Johann Wolfgang von Goethe [a] (28 August 1749 – 22 March 1832) was a German polymath, who is widely regarded as the greatest and most influential writer in the German language.
Light spectrum, from Theory of Colours – Goethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap.. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.
Representation of Götz with his famous quote: "But he, tell him, he can lick my arse" from Goethe's play (plaque in Weisenheim am Sand). Götz von Berlichingen is a successful 1773 drama by Johann Wolfgang von Goethe, based on the memoirs of the historical adventurer-poet Gottfried or Götz von Berlichingen (c. 1480–1562).
Kaufmann's version preserves Goethe's metres and rhyme schemes, but objected to translating all of Part Two into English, believing that "To let Goethe speak English is one thing; to transpose into English his attempt to imitate Greek poetry in German is another." [6] Phillip Wayne: Part One (1949) and Part Two (1959) for Penguin Books. [12]
Although Goethe does not introduce the eternal feminine until the last two lines of the play, he prepared for its appearance at the outset. "Equally pertinent in this regard", writes J. M. van der Laan, "are Gretchen and Helen, who alternate with each other from start to finish and ultimately combine with others to constitute the Eternal-Feminine" [1] At the beginning of Part I, Act IV, Faust ...
The 2010 German film Goethe! is a fictional account of the relations between the young Goethe, Charlotte Buff and her fiancé Kestner, which at times draws on that of Werther, Charlotte and Albert. The 2014 novel The Sorrows of Young Mike by John Zelazny is a loosely autobiographical parody of Goethe's novel. [22]
Sheldrake is famous for the term "morphogenetic field" actually a quote from one of Steiner's students, Poppelbaum. American philosopher Walter Kaufmann argued that Freud's psychoanalysis was a "poetic science" in Goethe's sense. [21] [22] In 1998, David Seamon and Arthur Zajonc wrote Goethe's way of science: a phenomenology of nature. [23]
In her 2001 book Goethe's Elective Affinities and the Critics, she writes: From the time of its publication to today, Goethe's novel, Die Wahlverwandtschaften (Elective Affinities, 1809), has aroused a storm of interpretive confusion. Readers fiercely debate the role of the chemical theory of elective affinities presented in the novel.