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The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
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The Bacchae, also simply known as Bacchae, is a classical Meitei language play, based on an ancient Greek tragedy of the same name, written by Euripides (480-406 B.C.), one of the three tragedians of classical Athens. Directed by Thawai Thiyam, son of Ratan Thiyam, it is based on the story of king Pentheus of Thebes and Olympian god Dionysus ...
Maenads were known as Bassarids, Bacchae / ˈ b æ k iː /, or Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s / in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a ...
The Bacchae opened the City Dionysia Festival in Athens in 405 BC and won first prize. The action follows the god Dionysus on his return to the city of Thebes to avenge his mother's reputation and the god's own rejection as the bastard child of Zeus. The title refers to the groups of devoted female followers of the god, who serve as the chorus ...
British classics scholar Edith Hall finds a possible thematic link between the three plays in the trilogy that included Alcmaeon in Corinth. [5] Iphigenia in Aulis tells the story of King Agamemnon sacrificing his young daughter Iphigenia. [5] The Bacchae tells the story of Agave killing her young adult son Pentheus. [5]
King Pentheus appears in Bacchae, a classical Meitei language play based on the ancient Greek tragedy of the same title. In the play, as distinct from the original tragedy, King Pentheus is portrayed as a small community , whose chances of survival is highly unpredictable and doubtful, affected by the massive globalization results of the ...
An "unspoken" sparagmos may have been the central element underlying the very genre of Greek tragedy. [1] [2] Maenads and Pentheus, House of the VettiiSparagmos (Ancient Greek: σπαραγμός, from σπαράσσω sparasso, "tear, rend, pull to pieces") is an act of rending, tearing apart, or mangling, [3] usually in a Dionysian context.