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Greek furniture construction also made use of dowels and tenons for joining the wooden parts of a piece together. [26] Wood was shaped by carving, steam treatment, and the lathe, and furniture is known to have been decorated with ivory, tortoise shell, glass, gold or other precious materials. [27]
Decoupage or découpage (/ ˌ d eɪ k uː ˈ p ɑː ʒ /; [1] French:) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements.
Fretwork is an interlaced decorative design that is either carved in low relief on a solid background, or cut out with a fretsaw, coping saw, jigsaw or scroll saw.Most fretwork patterns are geometric in design.
Bunting refers to decorative flags, wide streamers, or draperies made of fabric, or of plastic, paper or cardboard in imitation of fabric. Bunting is also a collection of flags, and the fabric used to make flags. The fabric was originally a specific type of lightweight worsted wool fabric, but can also be cotton.
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine.
Batik craftswomen in Java, Indonesia Savisiipi handicrafts store in Pori, Finland A handicraft Selling-Factory shop, Isfahan, Iran Artesanato Mineiro. A handicraft is a traditional main sector of craft making and applies to a wide range of creative and design activities that are related to making things with one's hands and skill, including work with textiles, moldable and rigid materials ...
Traditional Korean patchwork pojagi wrapping cloth. Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes (which can be different colors).
The view of decoration as a 'lesser art' was formally challenged in the 1970s by writers and art historians like Amy Goldin [2] and Anne Swartz. [3] The argument for a singular narrative in art had lost traction by the close of the 20th century through post-modernist irony and increasing curatorial interest in street art and in ethnic ...