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The Phenix Horns, [1] originally known as the EWF Horns, were the main horn section for the band Earth, Wind & Fire. The horn section was composed of Don Myrick on saxophone , Louis "Lui Lui" Satterfield on trombone , Rahmlee Michael Davis on trumpet , Michael Harris on trumpet and Harry Kim on trumpet.
The Earth, Wind & Fire Horns' trio performed on Whitney Houston's 1990 album I'm Your Baby Tonight. [5] They went on to play on MC Hammer's 1991 Too Legit to Quit. [6] The horn section also performed on jazz guitarist Norman Brown's 1992 album Just Between Us, [7] saxophonist Kirk Whalum's 1993 album Caché', [8] and Salif Keita's 1993 Amen. [9]
The use of long signal horns in mountainous areas throughout Europe and Asia may indicate a long history of cultural cross-influences regarding their construction and usage. [ 2 ] The first documented use of the German word Alphorn is in a payment recorded in the 1527 accounts ledger of Saint Urban's Abbey in Pfaffnau .
Voice evacuation alarms typically are not as loud as horns or bells (although generally standards require the same minimum sound pressure levels), and usually sound an alarm tone (typically a slow whoop, code-3, or chime tone, although this depends on the country and particular application) and a voice message warning that an emergency has been ...
Deities depicted with horns or antlers are found in numerous religions across the world. Horned animals, such as bulls, goats, and rams, may be worshiped as deities or serve as inspiration for a deity's appearance in religions that venerate animal gods .
The following is a list of animated works as commissioned by Allspark Animation (a subsidiary of American toy company Hasbro; previously credited under Hasbro Studios) as a part of My Little Pony: Equestria Girls toy line and media franchise, which is a spin-off of the 2010 incarnation of Hasbro's main My Little Pony franchise.
BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]