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"Sara" is a song written by singer-songwriter Stevie Nicks of the British-American rock band Fleetwood Mac, which was released as a single from the 1979 Tusk double LP. The song peaked at No. 7 in the US for three weeks, No. 37 in the UK for two weeks, No. 11 in Australia, and No. 12 in Canada.
Throughout the song, a distinctive 16th note guitar riff is played by Waddy Wachtel, progressing through C, D, and E-minor chords. During the bridge, the chords alternate twice between E-minor and C. Nicks's backing band recommended that they emulate The Police 's " Bring On the Night " for the guitar riff, although Wachtel was unfamiliar with ...
The guitar part from "Never Going Back Again" was used (albeit in a lower key than in the Fleetwood Mac version) in a 2014 television commercial for Bank of America. [ 28 ] Danish experimental pop band Slaraffenland covered "Never Going Back Again", inserting free-form jazz figures and changing the instrumentation while keeping the "sunny ...
It is a hard rock song, atypical of Fleetwood Mac's songs (at least following the Peter Green era), but it quickly became a live staple showcasing Lindsey Buckingham's guitar skills. [4] The studio version of the song is in G natural minor , but live versions are usually transposed down to F natural minor .
"Hypnotized" is a song written by Bob Welch.The song originally featured on Fleetwood Mac's 1973 album Mystery to Me.The track was released on a single as the B-side of "For Your Love" and has been described as "gorgeous and lyrically strong", and referred to as the album's best track.
"Blue Letter" is a song written by brothers Richard and Michael Curtis, first released by British-American rock band Fleetwood Mac on their eponymous 1975 album, Fleetwood Mac. It was the only song on the album not written by a band member. [1] A remixed version of "Blue Letter" was included on the B-side of "Warm Ways".
Edward R. Murrow "Murrow Turning Over in His Grave" is the second track on Fleetwood Mac's 2003 album Say You Will.It was written and sung by Lindsey Buckingham. [1] The lyrics to the song are politically charged, with Sal Cinquemani of Slant Magazine labeling the song as "an anti-media tirade". [2]
A chord progression of A5−E5−F♯m−Dmaj7−F♯m−E−Dmaj7 is followed in the verse, D−A in the pre-chorus, and D−E−F♯m−D in the chorus. [7] The track opens with guitar chords before loud drums are played. [8] Harmonized vocals, bass guitar and blurred synthesizers are also parts of the track's arrangement.