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"Sara" is a song written by singer-songwriter Stevie Nicks of the British-American rock band Fleetwood Mac, which was released as a single from the 1979 Tusk double LP. The song peaked at No. 7 in the US for three weeks, No. 37 in the UK for two weeks, No. 11 in Australia, and No. 12 in Canada.
[42] [43] The label's aggressive marketing of 1975's Fleetwood Mac, in which links with dozens of FM and AM radio stations were formed across America, aided the promotion of Rumours. [44] At the time, the album's advance order of 800,000 copies was the largest in Warner Bros.' history. [45]
"Sara" was cut to four-and-a-half minutes for both the single and the first CD release of the album in the 1980s, but the full version has since been restored on the 1988 Greatest Hits, the 1992 25 Years – The Chain box set, 2002's The Very Best of Fleetwood Mac, and the 2004 remaster of Tusk.
The guitar part from "Never Going Back Again" was used (albeit in a lower key than in the Fleetwood Mac version) in a 2014 television commercial for Bank of America. [ 28 ] Danish experimental pop band Slaraffenland covered "Never Going Back Again", inserting free-form jazz figures and changing the instrumentation while keeping the "sunny ...
Peter Allen Greenbaum (29 October 1946 – 25 July 2020), [1] [2] known professionally as Peter Green, was an English blues rock singer-songwriter and guitarist. [3] Green founded Fleetwood Mac in 1967 after a stint in John Mayall's Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970.
"Dreams" is a song by the British-American rock band Fleetwood Mac, written and sung by Stevie Nicks for the band's eleventh studio album, Rumours (1977). In the United States, "Dreams" was released as the second single from Rumours in March 1977, while in the United Kingdom, the song was released as the third single in June 1977. [ 3 ]
Mick Fleetwood recalled that "Crystal" was one of the songs that he heard while visiting Sound City Studios, which he was considering as a potential studio to record the next Fleetwood Mac album. Fleetwood said that the song had "so much connective power to our story and so much power in terms of what happened next." [6] After Buckingham and ...
The latter two appear in their 'single versions' on the 2002 compilation The Very Best of Fleetwood Mac, while "Sara", which was cut to 4 1 ⁄ 2 minutes for both the single and the first CD release of the album, appears in its unedited form on the 1988 Greatest Hits compilation, the 2002 release The Very Best of Fleetwood Mac, and the 2004 ...