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When Davies returned to Doctor Who, one of the first things he requested was the return of the Christmas special. [13] A special was not produced for the 2022 holiday season, but a new trailer for the programme's 60th anniversary was released in its absence. [14] Christmas specials then returned with "The Church on Ruby Road" in 2023. [15]
On 18 November 2022, composer Segun Akinola announced that three individual soundtracks featuring selected pieces of score from each special would be digitally released on 2, 9, and 16 December 2022, respectively. A physical CD release containing all three soundtracks was released on 13 January 2023.
"Eve of the Daleks" is the first of three special episodes that followed the thirteenth series of the British science fiction television programme Doctor Who. The episode was first broadcast on BBC One on 1 January 2022 as Doctor Who ' s annual holiday special. It was written by Chris Chibnall, and directed by Annetta Laufer. It is the third ...
Coughlan had been long-rumored to be joining the “Doctor Who” universe, which Davies confirmed ahead of last year’s Christmas special. She also starred alongside Gatwa in last year’s ...
Ncuti Gatwa’s first full episode as the new Doctor boasted goblins, song and dance, and a heartfelt origin story for new Companion Ruby Sunday (played by Coronation Street‘s Millie Gibson).
His debut Christmas special 'The Church on Ruby Road' also introduced former Coronation Street star Millie Gibson as the Doctor's companion Ruby Sunday, who joined forces with the Time Lord to ...
In November 2022, Davies was quoted in Doctor Who Magazine as having written a further special episode outside of the 60th anniversary specials. [ 2 ] [ 3 ] It is the first Doctor Who Christmas special since " Twice Upon a Time " (2017) after the programme temporarily transitioned New Year's specials from 2018 to 2022 under the preceding ...
The Doctor last confronted Villengard in the fourteenth series episode "Boom" (2024). [8] [9] It is the ninth Doctor Who Christmas special to be written by Moffat who once again assumed an executive producer role during production of the episode. [2] [10]