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La Fábula de Polifemo y Galatea (The Fable of Polyphemus and Galatea), or simply the Polifemo, is a literary work written by Spanish poet Luis de Góngora y Argote.The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid.
Góngora's Fábula de Polifemo y Galatea (1612) narrates a mythological episode described in Ovid's Metamorphoses: the love of Polyphemus, one of the Cyclopes, for the nymph Galatea, who rejects him. In the poem's end, Acis, enamored with Galatea, is turned into a river. [17]
The painting refers to a Spanish literary work La Fábula de Polifemo y Galatea and Ovid's Metamorphoses. [1] It was commissioned by French banker Jean Pointel [2] and depicts characters from Greek mythology. In the foreground pictured are semi-nude nymphs watched by satyrs hidden in the nearby bushes.
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
Aci, Galatea e Polifemo (HWV 72) is a serenata for three voices by George Frideric Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. A sort of dramatic cantata , the work was commissioned by Duchess Donna Aurora Sanseverino for the wedding of Tolomeo Saverio Gallo, Duke of Alvito, and ...
In Greek mythology, Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] was the name of the following figures: Galatea, a Nereid who loved the shepherd Acis, and was loved by the cyclops Polyphemus. [2] Galatea, the statue of a woman created by Pygmalion and brought to life by Aphrodite. [3]
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Acis and Galatea (1718/1732), a masque by Handel, is based on the eponymous characters out of the Metamorphoses, as is Lully's 1686 opera Acis et Galatée. In 1743, Handel composed Semele. Based on a pre-existent libretto by William Congreve, the story of this Baroque oratorio comes from the episode of Semele and the birth of Bacchus from Book III.
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