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Italian verbs have a high degree of inflection, the majority of which follows one of three common patterns of conjugation. Italian conjugation is affected by mood, person, tense, number, aspect and occasionally gender. The three classes of verbs (patterns of conjugation) are distinguished by the endings of the infinitive form of the verb:
Just like many other Romance languages, Italian verbs express distinct verbal aspects by means of analytic structures such as periphrases, rather than synthetic ones; the only aspectual distinction between two synthetic forms is the one between the imperfetto (habitual past tense) and the passato remoto (perfective past tense), although the ...
As in Italian, the subject may be tacit (Insubric is a null-subject language). Auxiliary verbs are combined with past participles of main verbs to produce compound tenses. For most main verbs the auxiliary is (the appropriate form of) avè ("to have"), but for reflexive verbs and certain intransitive verbs the auxiliary is a form of vess ("to be
While English has a relatively simple conjugation, other languages such as French and Arabic or Spanish are more complex, with each verb having dozens of conjugated forms. Some languages such as Georgian and Basque (some verbs only) have highly complex conjugation systems with hundreds of possible conjugations for every verb.
In painting, a pentimento (Italian for 'repentance'; from the verb pentirsi, meaning 'to repent'; plural pentimenti) is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". [1] Sometimes the English form "pentiment" is used, especially in older sources.
The non-past verb forms are conjugated by person/number, while the past verb forms are conjugated by gender/number. The present tense is indicated with the non-past imperfective form. The future in the perfective aspect is expressed by applying the conjugation of the present form to the perfective version of the verb.
In other languages, such as Spanish or French, verbs have a specific conditional inflection. This applies also to some verbs in German, in which the conditional mood is conventionally called Konjunktiv II, differing from Konjunktiv I. Thus, the conditional version of "John eats if he is hungry" is: English: John would eat if he were hungry
Syntactic gemination, or syntactic doubling, is an external sandhi phenomenon in Italian, other Romance languages spoken in Italy, and Finnish. It consists in the lengthening ( gemination ) of the initial consonant in certain contexts.