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Muzio Clementi chose F-sharp in his set for the prelude, but G-flat for the final "Grande Exercice" which modulates through all the keys. Antonín Dvořák composed Humoresque No. 7 in G-flat major, while its middle section is in the parallel key (F-sharp minor, enharmonic equivalent to the theoretical G-flat minor).
Étude Op. 10, No. 5 in G ♭ major is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fifth piece of his Études Op. 10.
Prelude in G-flat major (Rachmaninoff) S. Signore, ascolta! U. Un bel dì, vedremo
However, at the request of the composer's mother and sisters, Julian Fontana selected 23 unpublished piano pieces and grouped them into eight posthumous opus numbers (Opp. 66–73). These works were published in 1855, and include the Fantaisie-Impromptu , 8 mazurkas, 5 waltzes, 3 polonaises, 3 écossaises, a nocturne, a rondo, and a Marche ...
G-flat may refer to: G-flat major; G-flat minor; The musical pitch G ...
In music theory, the dominant seventh flat five chord is a seventh chord composed of a root note, together with a major third, a diminished fifth, and a minor seventh above the root (1, ♮ 3, ♭ 5 and ♭ 7). For example, the dominant seventh flat five chord built on G, commonly written as G 7 ♭ 5, is composed of the pitches G–B–D ♭ –F:
Waltz in G major for piano, Albumblatt: Walzer in G ♫ 16 April 1825 845 42 Sonata in A minor: Sonate in a ♫ Before the end of May 1825 9 16 I. Moderato II. Andante poco mosso III. Scherzo. Allegro vivace – Trio. Un poco più lento IV. Rondo. Allegro vivace 850 53 Sonata in D major, Gasteiner: Sonate in D ♫ August 1825 11 17 I. Allegro ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
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