Search results
Results from the WOW.Com Content Network
The Dictionary of Film Studies defines the horror film as representing “disturbing and dark subject matter, seeking to elicit responses of fear, terror, disgust, shock, suspense, and, of course, horror from their viewers.” [2] In the chapter The American Nightmare: Horror in the 70s from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between ...
Download QR code; Print/export Download as PDF; Printable version; ... Pages in category "Horror conventions" The following 17 pages are in this category, out of 17 ...
A social thriller is a film genre using elements of suspense to augment instances of apparent oppression in society. The genre gained attention by audiences and critics around the late 2010s with the releases of Jordan Peele's Get Out and Us, [1] [2] each film highlighting occurrences of racial alienation (the former which veil a plot to abduct young African-Americans).
Horror conventions are gatherings of the community of fans of various forms of horror including horror cinema, goth lifestyle, and occasionally science fiction and fantasy. Historically the focus has been on the cinematic form rather than literature and art, but this has broadened to include all forms in recent years.
This is a list of genres of literature and entertainment (film, television, music, and video games), excluding genres in the visual arts.. Genre is the term for any category of creative work, which includes literature and other forms of art or entertainment (e.g. music)—whether written or spoken, audio or visual—based on some set of stylistic criteria.
Genre theorist David Fishelov also deals with generic conventions—he calls them "generic rules"—in elaborating his explanatory metaphor of "literary genres as social institutions" in the book Metaphors of Genre: The Role of Analogies in Genre Theory. Fishelov, like Alpers, sees generic conventions as an inescapably "vital part of the ...
The sociology of film deals with the sociological analysis of film. [1] According to a university class in it, the field includes "Contemporary cinema as a culture clue to social change; an introduction to the social forces involved in film-making in the United States and other cultures; the influence of films on mass and select audiences."
The "social conventions" method of identifying the genre of a film is based on the accepted cultural consensus within society. [32] Martin Loop contends that Hollywood films are not pure genres because most Hollywood movies blend the love-oriented plot of the romance genre with other genres. [32]