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Mexican Institute of Sound (MIS; Spanish: Instituto Mexicano del Sonido — IMS) is an electronic music project created by Mexico City-based DJ and producer Camilo Lara. [1] Along with groups like Nortec Collective and Kinky , M.I.S. is part of a growing Mexican electronica movement, encouraging fusions of folk and more traditional music with ...
"Canción sin miedo" ("Song without fear" in Spanish) is a regional Mexican song by Mexican composer and singer Vivir Quintana, first performed on March 7, 2020. It speaks of missing women, feminicides , and women's struggle for justice, [ 2 ] and has become an anthem for feminist protests.
The largest such copyright management society is the Sociedad General de Autores y Editores (SGAE), which was established by law in 1941 as the Sociedad General de Autores de España and which had a de facto monopoly on the collective management of copyright royalties before the passage of the 1987 Intellectual Property Law.
Django Unchained is the soundtrack to Quentin Tarantino's motion picture Django Unchained.It was originally released on December 18, 2012. The soundtrack uses a variety of music genres, though with an especially heavy influence from Spaghetti Western soundtracks.
"Llorando se fue" (English: They left in tears) is a Bolivian folk song recorded by Los Kjarkas in 1981 on the album Canto a la mujer de mi pueblo [3] and released as a B-side ...
Una flecha en el aire, Cielito lindo, lanzó Cupido. Si la tiró jugando, Cielito lindo, a mí me ha herido. (Estribillo) From the Sierra Morena, Pretty little heaven, come down A pair of little black eyes, Pretty little heaven, sneaking by. Refrain: Woe, woe, woe, woe, Sing and don't cry, Because singing rejoices, Pretty little heaven, our hearts.
Dumas, Denis (1987), Nos Façons de Parler: les Prononciations en Français Québécois, Sillery, Quebec: Presses de l'Université du Québec, ISBN 2-7605-0445-X; Reinke, Kristin (2005), La langue à la télévision québécoise: aspects sociophonétiques (PDF), Gouvernement du Québec, ISBN 2-550-45542-8
Asturias performed at the White House by Sharon Isbin.. Though originally written to imitate guitar playing, the piece cannot be transcribed note for note for guitar. The original version makes uses of the piano keyboard's wider range compared to the tessitura of the guitar, and the key of G minor is not suitable for the guitar—for example, in the standard guitar tuning, the pedal note D4 is ...