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Leila Cobo named the track one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. [243] She also wrote about his impact in " Whenever, Wherever " chapter: "Ricky Martin's phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage ...
Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
From top: 2-3 clave, timbale bell, bongo bell, two congas. According to Bobby Sanabria, the 3–2, 2-3 concept and terminology was developed in New York City during the 1940s by Cuban-born Mario Bauzá, when he was music director of Machito's Afro-Cubans. [27] The 3–2, 2-3 concept is a basic tenet of salsa, but it is not widely used in Cuba ...
The main guitar riff for James Brown's "Bring It Up" is an example of an onbeat/offbeat motif. Rhythmically, the pattern is similar to the typical Cuban guajeo structure, but tonally, it is unmistakably funky. [44] Bongos are used on the 1967 version. The rhythm is slightly swung. "Ain't It Funky Now" has a 2–3 guitar riff (c. late 1960s).
Because SparkNotes provides study guides for literature that include chapter summaries, many teachers see the website as a cheating tool. [7] These teachers argue that students can use SparkNotes as a replacement for actually completing reading assignments with the original material, [8] [9] [10] or to cheat during tests using cell phones with Internet access.
Gildas swathes the condemnations in allegorical beasts from the Book of Daniel and the Book of Revelation, likening the kings to the beasts described there: a lion, a leopard, a bear, and a dragon. [11] The kings excoriated by Gildas are: "Constantine the tyrannical whelp of the unclean lioness of Damnonia". [12] [13] "thou lion's whelp ...
A common tuning in Portugal is C G A D (reentrant with C being the lowest pitch, [1] or from lower to higher pitches [2]). The standard tuning in Brazil is D G B D. [3] Other tunings include: D A B E – Portuguese ancient tuning, made popular by Júlio Pereira, reentrant with A being the lowest pitch [4] G G B D [5] A A C ♯ E