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Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♭ or ♯ can be added. In the key of C major, an E ♭ triad would be notated as ♭ 3.
The main melodic theme was composed by Clarke, after experimenting with fingerings on the ukulele, and the chords were written by Monk. The word " epistrophe " is defined by Merriam-Webster as "the repetition of a word or expression at the end of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect".
The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4] (Note: these piano key numbers 1-108 are not the n keys in the equations or the table.)
"Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song.
The piece is in B minor, occasionally alternating with an A major chord. The distinctive keyboard accents on this track are composed of three components: A Hammond organ forms the 'fade in', followed by a "Stab" composed of a second Hammond organ with percussion stop, overdubbed with an acoustic piano fed through a Leslie speaker, as was also ...
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Jesus of Nazareth, Savior and King: Hugh W. Dougall: Hugh W. Dougall: 182: We’ll Sing All Hail to Jesus’ Name: Richard Alldridge: Joseph Coslett: 183: In Remembrance of Thy Suffering: Evan Stephens: Evan Stephens: 184: Upon the Cross of Calvary: Vilate Raile: Leroy J. Robertson: 185: Reverently and Meekly Now: Joseph L. Townsend: Ebenezer ...
[3] [4] At the midpoint, a piano solo is introduced, reportedly performed by sixth-grader Zen Micheline Hung. [5] [6] [7] However, the credits for the song list Mark Williams as the performer. [8] Lyrically, "Come to Life" features themes of liberation and God, while alluding to the emotional fallout from West's divorce from Kim Kardashian.
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