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"Goin' Back" (also recorded and released as "Going Back") is a song written by Gerry Goffin and Carole King in 1966. [1] It describes the loss of innocence that comes with adulthood, along with an attempt, on the part of the singer, to recapture that youthful innocence.
"Boston and St. John's" by Great Big Sea "Boston Asphalt" by the Dropkick Murphys "Boston Babies" by G.B.H. "Boston Babies" by Slaughter & The Dogs "Boston Band" by Jim's Big Ego "Boston Belongs To Me" by Death Before Dishonor "The Boston Beguine" by Sheldon Harnick "Boston Jail" by Porter Wagoner "A Boston Peace" by Say Anything "Boston Rag ...
The drum parts of this and other early Boston songs were developed by Jim Masdea, but this is the only song on the Boston album on which Masdea plays drums. [2] [4] Scholz plays clavinet and all the guitar parts, including bass guitar, and Brad Delp sings vocals. [4] Boston consistently opened with "Rock and Roll Band" while playing at live ...
‘Going back there I’m sure will bring a smile to my face when I step into that rink,’ Matthew Tkachuk said. Panthers’ return to Boston brings back memories of playoff run’s magical start ...
Mojo magazine cited the lyrics as presenting an alternate view of the American Dream to that described in another song from the Boston album, "Hitch a Ride". [11] The Greenwood Encyclopedia of Rock History described the song as being "built around soaring guitars, tight vocal harmonies, and huge hooks," which were part of the band's appeal. [12]
Third Stage is the third studio album by the American rock band Boston, released on September 24, 1986, on MCA Records, as the band's first album on the label. [5] It was recorded at Boston co-founder Tom Scholz's Hideaway Studio over a long, strained, six-year period "between floods and power failures". [6]
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Described by New York Times critic Jon Pareles as a "rock ballad," "We're Ready" was written as early as 1981, earlier than the other songs on Third Stage except "Amanda." [8] [9] The song begins softly, with acoustic guitars and lead singer Brad Delp sounding like a choir boy, but the song develops into a hard rocker. [10]