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Publishers Weekly gave the novel a starred review, writing that Henderson is "one of horror’s best new voices" and calling the novel "compulsively readable". [2] Writing for the New York Times, Danielle Trussoni called the novel "a pleasure to read", praising the "Dickensian plot and gorgeous Victorian steampunk setting."
A New York Times review described the novel as "a meditation on vanity, the ways in which the pursuit of physical beauty can betray the other sources of beauty in one's life," [2] while Publishers Weekly noted themes of "insidious Western standards, fears about bodily autonomy, and queer desire."
In a review for The New York Times, Danielle Trussoni states that "by weaving violence, family trauma and humor, Hendrix creates a texture that engages the reader emotionally and viscerally." [ 8 ] Lee Mandelo of Tor.com noted that, "The novel reminded me of the frenetic, compulsive energy that propelled me through pulp horror paperbacks as a ...
All the Fiends of Hell, by Adam L.G. Nevill. Adam Nevill’s stories are full of tight interiors, narrow minds, and entities who slip under a reader’s defenses. In All the Fiends of Hell, he’s ...
The following list ranks the number-one best selling fiction books, in the hardcover fiction category. [1] The most popular books of the year were A Thousand Splendid Suns, by Khaled Hosseini with 13 weeks at the top. The author James Patterson was at the top for five different books.
Many of Grady Hendrix’s books remix classic horror ideas in order to develop fresh new lore, from vampires (“The Southern Book Club’s Guide to Slaying Vampires”), haunted houses (“How to ...
Small Town Horror, by Ronald Malfi. The title of Malfi’s latest novel sets expectations of Stephen King or Norman Rockwell’s Americana. It turns out to be much stranger than that.
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