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His father Adolf Loos was a German stonemason who died when Loos was nine years old. [4] His mother, Marie Loos, was a sculptor who later carried on the masonry business after her husband's death. Young Adolf Loos had inherited his father's hearing impairment and was significantly handicapped by it throughout his life, contributing to his ...
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Lina Loos (née Carolina Catharina Obertimpfler; 9 October 1882, in Vienna – 6 June 1950, in Vienna) was an Austrian cabaret actress and feuilleton journalist. She is best remembered for her appearances at the Linden-Cabaret in Berlin , and for her posthumous collection of writings edited by Adolf Opel .
In his book Adolf Loos: The Art of Architecture, writer Joseph Masheck draws parallels between Loos's mausoleum and the work of later post-modern architects and artists including the brick installations of Carl Andre, the "gray prisms" of sculptor Robert Morris and the sculptures of Tony Smith, the last of which was an influence on I. M. Pei. [1]
Many film historians and critics have ridiculed L'Inhumaine as a misguided attempt to celebrate film as art or to reconcile the popular and the élitist. [17] On the other hand, it was precisely the originality and daring of L'Herbier's concept which won the enthusiasm of the film's admirers, such as the architect Adolf Loos : "It is a ...
The film was given a limited release as a silent film before being converted into a sound film late in 1928. While the sound version of the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
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Adolf Opel. Adolf Opel (12 June 1935, in Vienna – 15 July 2018, in Vienna) was an Austrian writer, filmmaker, and editor. He edited publications of the writings of Adolf Loos, Elsie Altmann-Loos, Else Feldmann, and Lina Loos. He also made films about Paul Celan, Elisabeth Bergner, Viktor Frankl, Hans Weigel, Franz Theodor Csokor, and H. C ...
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