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Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Rumba flamenca" The following 5 pages are in this category, out of 5 total.
Los Chunguitos in 2019. Los Chunguitos are a Spanish Romani rumba flamenca group from Badajoz, Extremadura, formed in Vallecas, Madrid in 1973.. The group's nucleus was the three brothers Juan (1954), Manuel (1962), and José Salazar (1957), whose uncle was the flamenco singer Porrina de Badajoz [].
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... Rumba flamenca (1 C, 5 P) Pages in category "Flamenco styles"
"El Porompompero" is a rumba [1] written in 1960 by musician Juan Solano Pedrero and lyricists José Antonio Ochaíta and Xandro Valerio. [2] It was written for singer El Príncipe Gitano , but was not recorded at the time, and was recorded a year later.
In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El Pescaílla developed an uptempo style that combined elements from rumba flamenca, Spanish gypsy music and pop. This became known as Catalan rumba (rumba catalana). [16] In the 1980s, the style gained international popularity thanks to French ensemble Gipsy Kings.
Like the rumba flamenca, the Galician rumba originated from a fusion of certain Cuban and Spanish elements of style. The characteristics of that new genre are similar to those of the new song-dances that appeared in the Caribbean Basin area during the 19th century, which were the result of a combination of Iberian and African elements.
"Entre dos Aguas" is an instrumental flamenco rumba created by the Spanish guitarist Paco de Lucía, included as the first single on the album Fuente y caudal (1973). [1] It was recorded with two guitars (the second played by his brother Ramón de Algeciras ), with a bass and a bongo played by Pepe Ébano instead of the traditional palmas ...