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The Tchaikovsky House-Museum in Klin Salon of Tchaikovsky house, with his piano and desk. The Tchaikovsky House-Museum was the country home in Klin, 85 kilometers northwest of Moscow where Pyotr Ilyich Tchaikovsky lived from May 1892 until his death in 1893. His last major work, the 6th Symphony, was written there. The house is now a museum.
The Museum Estate of P.I. Tchaikovsky (Russian: Музей-усадьба П.И. Чайковского), commonly known as the Tchaikovsky Museum, is a museum in the town of Votkinsk, Udmurtia, Russia, dedicated to the composer Pyotr Ilyich Tchaikovsky, who spent his early childhood there.
Museum of Pyotr Ilyich Tchaikovsky in Klin The town is best known as the residence of Pyotr Ilyich Tchaikovsky , whose house, the Tchaikovsky House-Museum , is open to visitors as a museum. It was here that the composer wrote his last major work, the 6th symphony , or the "Pathetique".
Kubinka Tank Museum; Melikhovo is a writer's house museum in the former country estate of the Russian playwright and writer Anton Chekhov. Muranovo is a state museum dedicated to the life of Russian poet and diplomat Fyodor Tyutchev; New Jerusalem Monastery; Tchaikovsky House-Museum (Klin) Trinity Lavra of St. Sergius; Ugresha Monastery
Museum of Sergei Taneyev, dedicated to Sergei Taneyev – Dyudkovo, Zvenigorod [84] Museum Music and Time – Yaroslavl [85] Tchaikovsky State House-Museum, dedicated to Pyotr Ilyich Tchaikovsky en Sergei Taneyev – Klin; Rockmuseum – Ufa [86] Ivanovka, former summer residence of Sergei Rachmaninoff – Tambov; Musical Instrument Museum ...
The Tchaikovsky House in Taganrog is a historical mansion in downtown Taganrog, Russia, at 56 Grecheskaya Street. ... The museum was inaugurated on May 1, 1976.
Pyotr Ilyich Tchaikovsky. Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker.
Polina Vaidman, the curator of Tchaikovsky's manuscript collection at the composer's house museum in Klin, a Ph.D. in art history, called Kashkin's memoirs in the 1920 collection deliberately false memoirs and a "romantic myth," and wrote that the reasons that led Kashkin to write them and Boris Asafiev to publish them are unknown. [87]