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El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
El Greco was a nickname, [a] and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post ...
At the time of El Greco's death his belonging included 115 paintings, 15 sketches and 150 drawings. In 1908 Manuel B. Cossio, who regarded El Greco's style as a response to Spanish mysticism, published the first comprehensive catalogue of his works. In 1937 a highly influential study by art historian Rodolfo Pallucchini had the effect of ...
El Greco would pay homage to the aristocracy of the spirit, the clergy, the jurists, the poets and the scholars, who honored him and his art with their esteem, by immortalizing them in the painting. The Burial of the Count of Orgaz has been admired not only for its art, but also because it is a gallery of portraits of some of the most important ...
Unconfirmed portrait of Cervantes commonly said to have been painted by Juan de Jáuregui. [note 1]The Nobleman with his Hand on his Chest (also known as The Gentleman with His Hand at His Breast [1] or Gentleman with his Hand on his Chest) (Spanish: El caballero de la mano en el pecho) [2] is an oil painting by El Greco, one of the earliest works painted by the artist in Spain.
The early literature that Walter Liedtke mentions in "Three Paintings by El Greco," suggests that the View of Toledo was painted after 1600 and shortly before El Greco died in 1614. However, art historian Harold Wethey believes it was painted between 1595 and 1600 because of the similarities to El Greco's other piece, Saint Joseph and the ...
Saint Jerome (El Greco) Saint John the Baptist (El Greco) Saint John the Evangelist and Saint Francis; Saint Lawrence's Vision of the Madonna and Child; Saint Luke (El Greco) Saint Martin and the Beggar (El Greco) Saint Peter (El Greco) Saint Peter and Saint Paul (El Greco, Barcelona) Saint Peter and Saint Paul (El Greco, Saint Petersburg)
It is one of El Greco's most famous works. [1] A document dated July 2, 1577 which refers to this painting is the earliest record of El Greco's presence in Spain. The commission for the painting was secured thanks to El Greco's friendship from Rome with Luis, the son of Diego de Castilla, the dean of the Cathedral of Toledo.