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Mozart first composed music for that instrument as early as 1783, [3] and for the basset clarinet in 1787. [4] The latter features in the instrumentation of Così fan tutte (1789). [5] In early October 1791 Mozart wrote to his wife from Prague that he had completed "Stadler's rondo" – the third movement of the Clarinet Concerto. [5]
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...
There are a number of similarities between this quintet and Mozart's Clarinet Concerto. Both are in the key of A major and were written for the same soloist, Anton Stadler. Both pieces are written for the basset clarinet, which has an extended lower range. Also, the first theme of the first movement of each piece begins with a falling minor third.
Widmann's core repertoire as clarinetist includes Mozart's Clarinet Concerto [14] and Clarinet Quintet, [15] Weber's Clarinet Concerto No. 1 and Clarinet Quintet, Brahms's Clarinet Quintet, [16] and Pierre Boulez's Dialogue de l'ombre double, which he performed on Boulez's 85th birthday in Paris.
Instances like this in other similar works include the third movement of Weber's Clarinet Concerto No. 2, Mozart's Clarinet Concerto, the third movement of Karl Stamitz's Clarinet Concerto No. 3, the final movements of Franz Krommer's Clarinet Concerto in E-flat major and Concerto for Two Clarinets, and the last movements of Louis Spohr's ...
Clarinet Concerto in A major, K. 622 (1791; originally was for basset horn and was in the key of G major) Bassoon Concerto in B ♭ major, K. 230a/Anh. C 14.03 (Discovered in set of parts in The Hague attributed to Mozart; authenticity widely doubted from start.
This clarinet–viola–piano trio was first played in the von Jacquin's house; Anton Stadler played clarinet, Mozart the viola, and Franziska von Jacquin the piano. [4] The clarinet was still a relatively new instrument in Mozart's time, and this trio, along with his Clarinet Quintet and Clarinet Concerto (the latter two for basset clarinets ...
The Piano Concerto No. 22 in E ♭ major, K. 482, is a work for piano, or fortepiano, and orchestra by Wolfgang Amadeus Mozart, composed in December 1785.. This is the first piano concerto of Mozart's to include clarinets in its scoring, [1] and is scored for solo piano, flute, two clarinets (in B ♭), two bassoons, two horns and two trumpets (silent in Andante) in E ♭, timpani (in E ...