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This is an accepted version of this page This is the latest accepted revision, reviewed on 7 January 2025. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. The Last Judgment by painter Hans Memling. In Christian belief, the Last Judgement is an apocalyptic event where God makes a final ...
Paul Meyer and Léopold Delisle, in their book L'Apocalypse en français au XIII e siècle (Paris MS fr. 403), 2 vols., Paris, 1901, [1] were the first scholars to try to list, describe and categorize the Apocalypse manuscripts. M. R. James also wrote about illustrated Apocalypse manuscripts in his book The Apocalypse in Art, London, 1931. [2]
Williams, John, Early Spanish Manuscript Illumination New York: George Braziller, 1977. Williams, John. The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse, Volume 1, Introduction. London: Harvey Miller Publishers, 1994.
The Douce Apocalypse is an illuminated manuscript of the Book of Revelation, dating from the third quarter of the 13th century, preserved in the Bodleian Library under the reference Douce 180. The manuscript contains 97 miniatures. It has been called "one of the glories of English thirteenth-century painting". [1]
Even though apocalyptic motifs are found in Early Christian art, there is no evidence of any existing apocalyptic manuscript until the Carolingian period. Apocalypse manuscripts were generally made in three different time periods: Carolingian, Ottonian, and Romanesque. [3] The Bamberg Apocalypse belongs in the category of Ottonian Apocalypses.
Codex Tchacos, 4th century, contains the Gospel of Judas, the First Apocalypse of James, the Letter of Peter to Philip, and a fragment of Allogenes. Nag Hammadi library contains a large number of texts (for a complete list see the listing) Three Oxyrhynchus papyri contain portions of the Gospel of Thomas:
It may find an origin in the apocryphal Apocalypse of Thomas [3] and is found in many post-millennial manuscripts in Latin and in the vernacular. References to it occur in a great multitude and variety of literary works, and via the Cursor Mundi it may have found its way even into the early modern period, in the works of William Shakespeare .
Codex Gigas, the largest manuscript of the World, 13th century; Codex Sinaiticus, 4th century; Codex Vaticanus Graecus 1209, 4th century; Codex Bezae, 5th century; Codex Washingtonianus, 4th or 5th century; Dead Sea scrolls; Freising manuscripts, 10th century; The Garland of Howth, late 9th to early 10th centuries; Gospels of Tsar Ivan ...