Search results
Results from the WOW.Com Content Network
These stories were divided into subgenres, such as the stories of bandits, fantastic stories of ghosts and demons, love stories, and such. Scholars of the genre have disproved the early theory that huaben originated in the promptbooks or "cribs" used by these storytellers, but huaben did grow from the oral style and story-telling conventions of ...
Stories Old and New (Chinese: 古今小說), also known by its later name Stories to Enlighten the World (喻世明言), is a collection of short stories by Feng Menglong during the Ming dynasty. It was published in Suzhou in 1620. It is considered to be pivotal in the development of Chinese vernacular fiction. [1]
Pages from a printed edition of Huo Xiaoyu zhuan, collected by the Harvard-Yenching Library, Harvard University "The Tale of Huo Xiaoyu" (traditional Chinese: 霍小玉傳; simplified Chinese: 霍小玉传; pinyin: Huò Xiǎoyù zhuàn), also translated as "The Story of Huo Xiaoyu", [1] [2] is a chuanqi tale written by Jiang Fang (蔣防; 792–835) during the Tang dynasty.
A scene from Min Qiji's multi-colored woodblock printing album depicting scenes from the play. Romance of the Western Chamber (traditional Chinese: 西廂記; simplified Chinese: 西厢记; pinyin: Xīxiāng Jì; Wade–Giles: Hsi-hsiang-chi), also translated as The Story of the Western Wing, The West Chamber, Romance of the Western Bower and similar titles, is one of the most famous Chinese ...
The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
Typical works from this period include "Jin feng chai ji" from Jiandeng Xinhua by Qu You, [3]: 394 The Wolf of Zhongshan by Ma Zhongxi, and "The Taoist of Lao Mountain", "Xia nu" and "Hong Yu" from Strange Stories from a Chinese Studio by Pu Songling. [14]: xxii Notably, both chuanqi and biji are included in Strange Stories from a Chinese Studio.
Gao Ming, circa 1305-1359. The play is set during the Han dynasty. [3] Based on an older play, Zhao zhen nü (The Chaste Maiden Zhao), it tells the story of a loyal wife named Zhao Wuniang (T: 趙五孃, S: 赵五娘, P: Zhào Wǔniáng, W: Chao Wu-niang) who, left destitute when her husband Cai Yong is forced to marry another woman, undertakes a 12-year search for him.
Chinese folklore unfolds the story of a Ch'an Chu (toad) is saved by Liu Hai, who is a courtier in ancient Chinese period. For recompense the gratitude to Liu Hai, Ch' an Chu divulge the secret of eternal life and being immortal to Liu Hai. And this is the origin of Ch' an Chu as a symbol of eternal in traditional Chinese folklore culture. [5]