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"Live Wire" appears in the soundtracks to the video games Tony Hawk's American Wasteland, Brütal Legend, Saints Row: The Third, and NBA 2K20. The song also appears on the soundtrack to Charlie's Angels. It also appears in the Netflix original film The Dirt which is about Mötley Crüe's history.
The song was produced by Holland–Dozier–Holland under the same gospel-pop confection of their earlier hit singles "(Love Is Like a) Heat Wave" and "Quicksand".The song explained why the narrator can't come up with words to tell her lover that she was through with him because when she looks at him, she feels that he is "like a bolt of lightning" and that he's a "live wire".
LimeWire was a free peer-to-peer file sharing client for Windows, macOS, Linux, and Solaris. [1] Created by Mark Gorton [2] [3] [4] in 2000, it was most prominently a tool used for the download and distribution of pirated materials, particularly pirated music. [5]
The video features new interviews and the band's full catalog of music videos, which were in part previously released on the video albums Uncensored and Dr. Feelgood The Videos. It includes new live clips, music videos from the album Girls, Girls, Girls and the new music videos "Primal Scream", "Home Sweet Home '91", and "Anarchy in the U.K.".
The original Livewire standard was introduced in 2003 and has since been superseded by a second version, Livewire+. Livewire+ includes compatibility with the AES67 and Ravenna standards to allow interoperability with equipment from other manufacturers. Designed as a superset of Livewire functionality utilizing common protocols and formats ...
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Live Wire is a 2004 live CD/DVD released by Christian rock band Third Day. All of the tracks, except for "Sing a Song" and "Blackbird", are from their album Wire, released earlier that year. "Thank You All" was recorded especially for Live Wire. Some of the songs were cut off the CD but can be found on the DVD.
Live Wire/Blues Power is a blues album by Albert King. [8] It was recorded live in 1968 at the Fillmore Auditorium. [9] Leftovers from the recordings were released on the albums Wednesday Night in San Francisco and Thursday Night in San Francisco. [10] The album peaked at No. 150 on the Billboard 200. [11]