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White dove with olive branch, stained glass window in the Denis and Saint Sebastian church in Kruft, Germany Doves are often associated with the concept of peace and pacifism . They often appear in political cartoons , on banners and signs at events promoting peace (such as the Olympic Games, at various anti-war/anti-violence protests, etc ...
Window by Franz Mayer & Co. for St. Matthew's German Evangelical Lutheran Church in Charleston, South Carolina, USA. Franz Mayer of Munich is a German stained glass design and manufacturing company, based in Munich, Germany and a major exponent of the Munich style of stained glass, that has been active throughout most of the world for over 170 years.
Thomas Augustin "Gus" O'Shaughnessy (1870-1956) was an Irish American Celtic Revival designer from Missouri who worked primarily in stained glass.He was employed as a Chicago Daily News staff artist and had earlier studied under stained glass master Louis Millet at the Art Institute of Chicago, then traveled to Europe to perfect his art.
As well as stained glass, Shrigley and Hunt made ceramic tiles; in the late 19th century these formed an important part of the income of the company. Some of the tiles can be seen still in situ outside their former workshop on Castle Hill. The firm also produced craft decoration including stencilled wall and ceiling decoration.
Stained Glass Museum Ely, Cambridgeshire c. 1920: Also in the Stained Glass Museum is an oval glass panel entitled "Hammer and Tongs". Two medieval characters are shown attacking each other. One pulls his opponent’s hair with a pair of tongs whilst the other hits his knee-cap with a hammer. Parsons used it to illustrate the poem he had written-
Alfred Godwin & Co., Stained Glass, No 1201 Market Street.—The steady and growing demand for artistic productions in stained glass that has within recent years been so noticeable in the united States has imparted to this interesting branch of business an importance which at any period hitherto did not attach to it in this country.
They completed the bulk of their work in England between the 1620s and the 1640s. They painted at a time when stained glass was losing popularity in favour of their method, the usage of vitreous enamels on glass as a blank canvas and then fired. Lead lining is used to hold together pieces of glass.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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