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Hari & Sukhmani (also styled as Hari + Sukhmani or Hari and Sukhmani) is an Indian folktronic duo comprising Hari Singh Jaaj and Sukhmani Malik, who are known for fusing traditional folk music of Punjab with electronic music, and incorporating elements from Sufi poetry of Bulle Shah, Baba Farid, Kabir, and Shah Hussain, in their compositions.
Anuar & Ellina - "Suasana Di Hari Raya" Gaya Zakri - "Ucap Selamat Hari Raya" Sharifah Aini - "Nostalgia Aidilfitri" Rosemaria - "Di Pagi Aidilfitri" Khairil Johari Johar - "Sepasang Kurung Biru" Gaya Zakri, D J Dave & Rosemaria - "Senandung Hari Raya" Cenderawasih - "Bersama Di Hari Raya" Sweet September - "Hari Raya Tetap Tiba" Sheila Majid ...
This was followed by two more original songs including "Mekar Hari Raya", the second track from the album, composed by Azmeer, with lyrics by Senibayan. "Meriah Suasana Hari Raya", the third single, is another typical raya song by composer Khir Rahman and lyricist Hairul Anuar Harun.
The Hari Stuti (Sanskrit: हरिस्तुति, romanized: Haristuti), sometimes rendered the Harimide Stuti, [1] is a Sanskrit hymn written by the Hindu philosopher Adi Shankara. Comprising 44 verses, [ 2 ] the work is an ode to the deity Vishnu .
"Hari Kemenangan" (English: The Day of Victory) is a single by Malaysian artist, Siti Nurhaliza. Written by Siso Kopratasa and produced by Pak Ngah Suhaimi, it was released on 20 June 2016 as a special single for Eid al-Fitr. This single marked her first Eid al-Fitr single after she recorded the last one 10 years ago.
Tanggal 31 Ogos ("The Date of 31st of August") is a Malaysian patriotic and national song.It is sung during the National Day celebrations throughout the nation. This song was covered by Sudirman.
On 9 February 2006, the broadcaster announced that they had internally selected Hari Varešanović to represent Bosnia and Herzegovina in Athens. [2] The song to be performed at the contest, "Lejla", was also selected internally and was presented during a television special entitled BH Eurosong 2006 on 5 March 2006.
it is considered one of the most popular folklore of Kumaon. it has been performed in Kumaon for about thousand years and passed down orally from generation to generation in family of traditional bards, Mohan Upreti brought the epic ballad on the regional and national theaters, in 1980 Sangeet Natak Akademi of India published book on the epic ballad of Rajula-Malushahi.