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A Jacquard loom showing information punchcards, National Museum of Scotland. Traditionally, figured designs were made on a drawloom. The heddles with warp ends to be pulled up were manually selected by a second operator, the draw boy, not the weaver. The work was slow and labour-intensive, and the complexity of the pattern was limited by ...
The Jacquard loom is a mechanical loom, invented by Joseph Marie Jacquard in 1801, which simplifies the process of manufacturing figured textiles with complex patterns such as brocade, damask, and matelasse. [26] [27] The loom is controlled by punched cards with punched holes, each row of which corresponds to one row of the design. Multiple ...
A drawing-in frame was a piece of equipment used in the cotton industry. It was the drawers-in job to thread each of ends on a new beam through the correct healds, and then though the reed. On a Lancashire loom weaving grey cloth, this was a simple but time-consuming task, but for a complex pattern on a Jacquard tapestry loom, great care was ...
Lampas is a type of luxury fabric created on a draw loom with a background weft (a "ground weave") typically in taffeta with supplementary wefts (the "pattern wefts") laid on top and forming a design, sometimes also with a "brocading weft". Lampas is typically woven in silk, and often has gold and silver thread enrichment. The lampas technique ...
Brocade is typically woven on a draw loom. It is a supplementary weft technique; that is, the ornamental brocading is produced by a supplementary, non-structural, weft in addition to the standard weft that holds the warp threads together. The purpose of this is to give the appearance that the weave was actually embroidered on.
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Weaving on a floor loom, using a beater that swings, suspended on a heavy wood frame. A reed is part of a weaving loom, and resembles a comb or a frame with many vertical slits. [1] It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place.
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