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ScreenX is a panoramic film format which presents films with an expanded, dual-sided, 270-degree screens projected on the walls in a theater. [1] First introduced in 2012, it is created by CJ 4DPLEX, a subsidiary of the CJ CGV group which also created the 4DX motion-theater technology, which uses a similar logo and combines both formats, known as Ultra 4DX. [2]
4DX is a 4D film presentation system developed by CJ 4DPlex, a subsidiary of South Korean cinema chain CJ CGV. It allows films to be augmented with various practical effects , including motion-seats, wind, strobelights, simulated snow, and scents.
The 35 mm film gauge has long been the most common gauge in professional usage, and thus enjoys the greatest number of cameras currently available for professional usage. The modern era of 35 mm cameras dates to 1972, when Arri 's Arriflex 35BL and Panavision 's original Panaflex models emerged as the first self-blimped, lightweight cameras.
First known film is the first film (not including tests) made with the format and intended for release. Negative gauge is the film gauge (width) used for the original camera negative. Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case ...
Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
4D film is a presentation system combining motion pictures with synchronized physical effects that occur in the theater. Effects simulated in 4D films include motion, vibration , scent , rain, mist, bubbles, fog, smoke, wind, temperature changes, and strobe lights.
Most Dolby Cinemas feature a curved video wall entrance displaying content related to the feature film playing in the auditorium. The content displayed on the video wall is specifically generated by the film studio and is intended to immerse viewers in the movie experience before the movie has started. [ 18 ]
This marked the first time a digital cinema camera was tested alongside leading stills cameras. [14] For economical reasons Scarlet-W and Dragon-X cameras have the same 6K Dragon sensor used in the original DSMC generation, [15] but only 5K image area of it is utilized in Scarlet-W. [16] Red Raven has a "hard" 4.5K sensor. [15]