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Must Be Santa is a 1999 Canadian television film that tells the story of Floyd Court (Arnold Pinnock), who is selected as the successor to Santa Claus.Robert Sherrin produced the film while Brad Turner was director.
Must Be Santa" is a Christmas song written by Hal Moore and Bill Fredericks [1] and first released in November 1960 by Mitch Miller on Columbia 41814 (45 rpm). [2] A cover version by Tommy Steele reached Number 40 on the UK Singles Chart a year later. [3] Another cover, by Joan Regan made number 42 a week later. [4]
Must Be Santa may refer to: Must Be Santa (film), a 1999 Canadian television film; Must Be Santa (song), a Christmas song, covered by Bob Dylan
As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
Where this is not the case, and where the subject uses a popular form of their name in everyday life, then care must be taken to avoid implying that a person who does not generally use all their forenames or who uses a familiar form has actually changed their name. Do not write, for example: John Edwards (born Johnny Reid Edwards, June 10, 1953).
Virginia Woolf was known as a critic by her contemporaries and many scholars have attempted to analyse Woolf as a critic. In her essay, "Modern Fiction", she criticizes H.G. Wells, Arnold Bennett and John Galsworthy and mentions and praises Thomas Hardy, Joseph Conrad, William Henry Hudson, James Joyce and Anton Chekhov.
Critical and Historical Essays was from the first a successful undertaking, reaching a seventh reprinting by 1849, and it was soon being read all over the English-speaking world. [3] One 19th century traveller in Australia reported that the books he found there were for the most part copies of the Bible , Shakespeare , and Macaulay's Essays . [ 4 ]
In the introduction to the collection, Franzen explained his changing the title as a response to the many interviewers asking about the essay but failing to understand its intention, believing the essay to be an explicit promise on Franzen's part of a third "Big Social Novel" featuring a good deal of local detail and observation. [3]