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Special equipment was another notable feature of the classic recording studio. The biggest studios were owned and operated by large media companies like RCA, Columbia and EMI, who typically had their own electronics research and development divisions that designed and built custom-made recording equipment and mixing consoles for their studios.
The term outboard was originally used to describe a piece of audio equipment that existed outside of a studio or venue's primary analog mixing board. Today, analog effects are also considered outboard when used in conjunction with console-free computer-based digital recording systems.
An updated model called the New CX-3 was released in 2000, and uses sample-based technology, as opposed to the original's analog emulation. Both incarnations of the instrument feature a double-manual version called the BX-3.
They were Aerospace engineers who moved into the design of professional studio equipment for the manipulation and control of sound. The first product designed by the company was the DM-20 Tape Phase Simulator. This initial product was used by ELO, 10cc and Paul McCartney, who used it on the Wings' London Town album in 1978.
Associated Independent Recording (AIR) is an independent recording company founded in London in 1965 by record producers George Martin, John Burgess, Ron Richards, and Peter Sullivan. [1] In 1970 the company established its own professional audio recording facilities, AIR Studios .
In 2019 API celebrated 50 years in the music recording and production business, professing that its range of products remains firmly dedicated to Saul Walker’s original ideas and designs. The company celebrated its golden anniversary with a party at Sony Music Hall in New York City, releasing a limited run of 550A, 312 and 2500 50th ...
SSL SL9000J (72 channel) console at Cutting Room Recording Studio, NYC An audio engineer adjusts a mixer while doing live sound for a band.. A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems.
The studio was created by Joe Gottfried and Tom Skeeter, who wanted to start a record company and get into artist management. After a rough start, Skeeter and Gottfried purchased [4] [5] [6] a state-of-the-art recording console for $75,175 from the English electronics engineer Rupert Neve: [7] "One of four in the world ... a 28-input, 16-bus, 24-monitor 8028 with 1084 EQs and no automation".