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The term outboard was originally used to describe a piece of audio equipment that existed outside of a studio or venue's primary analog mixing board. Today, analog effects are also considered outboard when used in conjunction with console-free computer-based digital recording systems.
Pages in category "Manufacturers of professional audio equipment" The following 71 pages are in this category, out of 71 total. This list may not reflect recent changes .
An updated model called the New CX-3 was released in 2000, and uses sample-based technology, as opposed to the original's analog emulation. Both incarnations of the instrument feature a double-manual version called the BX-3.
Special equipment was another notable feature of the classic recording studio. The biggest studios were owned and operated by large media companies like RCA, Columbia and EMI, who typically had their own electronics research and development divisions that designed and built custom-made recording equipment and mixing consoles for their studios.
This category lists manufacturers of various music (audio and video) production equipment, such as studio and live audio systems, effect units and processors, mixers. For musical instruments manufacturing companies, please refer to appropriate categories.
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Over 200 recordings were made on his equipment, almost as many as the Denon PCM. [14] [15] 1976: The prototype Soundstream 37.5 kHz, 16-bit, 2-channel recorder [3] is used to record the Santa Fe Opera performing Virgil Thomson's opera The Mother of Us All for New World Records, making it the first US digital recording.
The studio was created by Joe Gottfried and Tom Skeeter, who wanted to start a record company and get into artist management. After a rough start, Skeeter and Gottfried purchased [4] [5] [6] a state-of-the-art recording console for $75,175 from the English electronics engineer Rupert Neve: [7] "One of four in the world ... a 28-input, 16-bus, 24-monitor 8028 with 1084 EQs and no automation".