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The Swing (French: L'Escarpolette), also known as The Happy Accidents of the Swing (French: Les Hasards heureux de l'escarpolette, the original title), is an 18th-century oil painting by Jean-Honoré Fragonard in the Wallace Collection in London.
Art critics debate whether his paintings were whimsical or the product of a deranged mind. [8] A majority of scholars hold to the view, however, that given the Renaissance fascination with riddles, puzzles, and the bizarre (see, for example, the grotesque heads of Leonardo da Vinci ), Arcimboldo, far from being mentally imbalanced, catered to ...
This acceptance of art is what allowed Arcimboldo to thrive in his court, especially with the unprecedented, unique style Arcimboldo came to be known for. The initial impression of Arcimboldo's Vertumnus was that it was joke due to the whimsical nature of the piece. [2] [3] However, Vertumnus was not meant to be presented only as a joke.
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
The American poet Sylvia Plath was a great admirer of Rousseau, referencing his art, as well as drawing inspiration from his works in her poetry. The poem, "Yadwigha, on a Red Couch, Among Lilies" (1958), is based upon his painting, The Dream, whilst the poem "Snakecharmer" (1957) is based upon his painting The Snake Charmer. [22]
In the painting of other countries the impact of the Rococo was more limited, but some more or less isolated cases deserve note: in Spain, Goya in his first phase and Ramón Bayeu y Subías; in the United States, John Singleton Copley; in Russia, Dmitry Levitsky, Ivan Argunov and Fyodor Rokotov; in the Netherlands, Rachel Ruysch and Jan van ...
The artist, Utagawa Kuniyoshi, produced works based on it, which often include octopuses among the creatures being evaded by the bare-breasted diver. In the text above Hokusai's image, the big octopus says he will bring the girl to Ryūjin's undersea palace, strengthening the connection to the Tamatori legend. [ 5 ]
Sagaki Keita is a Japanese artist who draws replicas of famous paintings composed of hundreds of tiny, whimsical cartoon characters. [1]As with many artists of his generation, Keita is influenced by Japanese manga and anime culture, which he integrates in his art.
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