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Visual music, sometimes called color music, refers to the creation of a visual analogue to musical form by adapting musical structures for visual composition, which can also include silent films or silent Lumia work. It also refers to methods or devices which can translate sounds or music into a related visual presentation.
Geometrical acoustics is an approximate theory, valid in the limiting case of very small wavelengths, or very high frequencies. The principal task of geometrical acoustics is to determine the trajectories of sound rays. The rays have the simplest form in a homogeneous medium, where they are straight lines. If the acoustic parameters of the ...
Defined in technical language, spectral music is an acoustic musical practice where compositional decisions are often informed by sonographic representations and mathematical analysis of sound spectra, or by mathematically generated spectra.
The absorption coefficient of a material is a number between 0 and 1 which indicates the proportion of sound which is absorbed by the surface compared to the proportion which is reflected back to the room. A large, fully open window would offer no reflection as any sound reaching it would pass straight out and no sound would be reflected.
Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre, articulation, and musical phrasing are nearly universal to all instruments.
As far back as 1916, in the article “Upcoming Science of Music and the New Era in the History of Music”, Arseny Avraamov proclaimed his view on the future of the Art of Music: “By knowing the way to record the most complex sound textures by means of a phonograph, after analysis of the curve structure of the sound groove, directing the ...
The lack of reflections in a free field means that any sound in the field is entirely determined by a listener or microphone because it is received through the direct sound of the sound source. This makes the open field a direct sound field. [3] In a free field, sound is attenuated with increased distance according to the inverse-square law. [1]
Schaeffer's theory of acousmatic experience, the sound object, and a technique he called reduced listening (écoute réduite) utilizes a phenomenological approach derived from the work of Edmund Husserl and Maurice Merleau-Ponty. According to Kane a good grasp of Husserlian theory is required in order to fully comprehend the relationship ...
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