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Hymns Instrumental, released in 1989, is the final studio album from contemporary Christian music group 2nd Chapter of Acts. It features no vocals, but is an instrumental collection of all but three of the tracks from the previous two Hymns releases.
Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [3] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive ...
Text of the Sanctus in an 11th-century manuscript The Sanctus is a hymn in Christian liturgy. It may also be called the epinikios hymnos when referring to the Greek rendition and parts of it are sometimes called "Benedictus". Tersanctus (Latin: "Thrice Holy") is another, rarer name for the Sanctus. The same name is sometimes used for the Trisagion. In Western Christianity, the Sanctus forms ...
"El Shaddai" (sometimes styled "El-Shaddai") is a contemporary Christian music song. It was written by Michael Card and John Thompson, using direct quotes from scripture as their inspiration, and recorded by Card on his 1981 debut album, Legacy.
What a mighty God we serve; Jesus is Able to save a poor sinner; My God is Able; Praise Him; Holy, Holy, Holy, Lord God Almighty; He's a wonderful God; Jesus the solid Rock; The Blood Prevails; There is a fountain filled with blood; I know it was Jesus' blood that saved me; Nobody Like You, Jesus; Near the Cross; Praise God, Praise Jesus, and ...
God's Gonna Cut You Down" (also known as "God Almighty's Gonna Cut You Down", "God's Gonna Cut 'Em Down", "Run On" and "Sermon") is a traditional American folk song. [1] The track has been recorded in a variety of genres, including country , folk , alternative rock , electronic and black metal . [ 2 ]
"Come Love, Come Lord", by Richard Crashaw, among the shortest in the cycle, and perhaps the most mysterious. IV. "Evening Hymn", translated from the Greek by Robert Bridges, is a contrapuntal composition, and features two themes, the viola and tenor melody with the bell-like basso ostinato accompaniment.
Where love is like a passion, that burns like a fire, Let our efforts be as determined as that of Dr. Martin Luther King, Who had a dream that all God's children, Black men, white men, Jews, Gentiles, Protestants, and Catholics, Could join hands and sing that spiritual of old: "Free at last! Thank God Almighty, free at last!"