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"Don't Pass Me By" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the "White Album"). A country rock song, it was the first solo composition written by drummer Ringo Starr.
According to Beatles biographers Ian MacDonald and Mark Lewisohn, "Martha My Dear" is one of the few songs by the band in which McCartney played all the instruments (except orchestral instruments played by session musicians). Such a scenario was increasingly common for him during the height of the tensions that marred the sessions for the album.
The Beatles began recording the song on 29 March 1967, the day before they posed for the Sgt. Pepper album cover. They recorded 10 takes of the song, wrapping up sessions at 5:45 in the morning. [10] The backing track consisted of Starr on drums, McCartney playing piano, Harrison playing lead guitar and Lennon beating a cowbell.
"Because" is a song written by John Lennon [2] (credited to Lennon–McCartney) and recorded by the English rock band the Beatles. It was released on their 1969 album Abbey Road, immediately preceding the extended medley on side two of the record.
[7] [8] Beatles author Ian MacDonald speculates that the guitar arpeggios at the end of the track were influenced by "I Want You (She's So Heavy)" and the middle section of "Here Comes the Sun", and that the overall structure was inspired by Lennon's "Happiness Is a Warm Gun" from the previous year's album The Beatles, which also joined ...
On 23 February while the Beatles filmed scenes for Help! in The Bahamas, engineers Smith and Malcolm Davies mixed the song for stereo twice, preferring the second mix over the first. [8] On 30 March the Beatles recorded more overdubs onto the song. [9] An electric piano and Harrison's original guitar solo were erased from the original tape.
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...
The song was first recorded in 1977 with a handheld tape recorder on his piano at home. Eventually the work evolved under the title "Real Life", a song which Lennon would record at least six times in 1979 and 1980, and was then abandoned. The song was eventually combined with elements of another Lennon demo, "Baby Make Love to You".
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