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Duvaucey stares out directly at the viewer with a sly and suggestive smile. Set against a flat grey background, the perspective of the portrait is very shallow overall. It is framed by the inwards swoops of the cured rose and gold Louis XVI chair, and embroidered pale yellow and red silk shawl. She holds an expensive-looking fan, and is adorned ...
Only four pieces of Calibre 89 were ever manufactured by Patek Philippe, with one in white gold, one in yellow gold, one in rose gold, and one in platinum. [ 110 ] [ 115 ] The yellow-gold and the white-gold Calibre 89 were sold at auctions by Antiquorum in 2009 and 2004, respectively, and both watches currently rank among the top ten most ...
Silver stain was used to produce a range of colors from yellow to orange and brown shades. It could produce green, if painted onto blue glass. This made it possible to give greater nuances to colors and shades. Small touches could give a particular brilliance to the window; a gold color in windows was usually created with silver stain. [35]
1. Sign in to Desktop Gold. 2. Click the Settings button. 3. Click Personalization. 4. Click the Sounds tab. 5. Click Customize My Sounds. 6. Search for a sound or select a category from the "All" menu at the top-right.
Roman guilloche around a scene with Diana the Huntress, late 2nd century AD, mosaic, Bardo National Museum, Tunis, Tunisia [1]. Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name.
Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour. Historically, real gold leaf has normally been used, giving a luxurious appearance.
The gold cloth in this painting takes the place of the gold leaf background. The arrangement is formal, yet the gestures, and in particular the mother's adoring gaze, give a human warmth to this picture. Vittore Carpaccio's Madonna and Child is very unusual in showing the Christ Child as a toddler fully dressed in contemporary clothing.
The designer intended to take the toughness and irreverence of McQueen's London, in opposition to the wealthy and elegant atmosphere of Givenchy. According to Sebastian Pons, his design assistant at the time: " I walked to his London studio and he was talking of an haute couture show, "I tried to please them and I fucked it up so I'm going to ...
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