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The Pietà (Italian: [maˈdɔnna della pjeˈta]; " [Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made . It is a key work of Italian Renaissance sculpture ...
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The Parable of the Great Banquet or the Wedding Feast or the Marriage of the King's Son is a parable told by Jesus in the New Testament, found in Matthew 22:1–14 [1] and Luke 14:15–24. [2] It is not to be confused with a different Parable of the Wedding Feast recorded in the Gospel of Luke.
Matthew 6:28. Christ's sermon on the mount: The parable of the lily (1866). Matthew 6:28 is the twenty-eighth verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. This verse continues the discussion of worry about material provisions.
The key as symbol of St. Peter. Stained glass window showing flaying knife, symbol of St. Bartholomew. Scallop Shells, St. James the Great. Saint. Symbol. Andrew. St. Andrew's cross [a], discalced, with fish or a rope. Bartholomew the Apostle. knife, bears his own skin in hand [a]
Giorgio Vasari in the "Life of Michelangelo" wrote: "Michelangelo finished the Moses in marble, a statue of five braccia, unequaled by any modern or ancient work.Seated in a serious attitude, he rests with one arm on the tablets, and with the other holds his long glossy beard, the hairs, so difficult to render in sculpture, being so soft and downy that it seems as if the iron chisel must have ...
David. (Michelangelo) David is a masterpiece of Italian Renaissance sculpture in marble [1][2] created from 1501 to 1504 by Michelangelo. With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.