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However, the references to light and darkness in the poem make it virtually certain that Milton's blindness was at least a secondary theme. The sonnet is in the Petrarchan form, with the rhyme scheme a b b a a b b a c d e c d e but adheres to the Miltonic conception of the form, with a greater usage of enjambment.
In Sonnet 27 the weary poet cannot find rest — not day or night. He goes to bed weary after working hard, which is the "toil" of line one, and the "travail" of line two. As soon as he lies down, another journey begins in his thoughts ("To work my mind") — the destination is the young man, who is far from where the poet is ("from far where I abide"
The poem very loosely echoes and references Homer and some of his major characters from the Iliad.Some of the poem's major characters include the island fishermen Achille and Hector, the retired English officer Major Plunkett and his wife Maud, the housemaid Helen, the blind man Seven Seas (who symbolically represents Homer), and the author himself.
The repeated rhyme scheme within the octave strengthens the idea. The sestet, with either two or three different rhymes, uses its first tercet to reflect on the theme and the last to conclude. William Shakespeare utilized the sonnet in love poetry of his own, employing the sonnet structure conventionalized by English poets Wyatt and Surrey.
The Petrarchan or Italian form usually follows a rhyme scheme of ABBA ABBA CDE CDE. The poem is usually divided into two sections with the first eight lines, an octave, and the last six, a sestet. There is usually a turn in the poem around line nine. [ 59 ]
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John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant.His 1667 epic poem Paradise Lost, written in blank verse and including twelve books, was written in a time of immense religious flux and political upheaval.
Enclosed rhyme (or enclosing rhyme) is the rhyme scheme ABBA (that is, where the first and fourth lines, and the second and third lines rhyme). Enclosed-rhyme quatrains are used in introverted quatrains , as in the first two stanzas of Petrarchan sonnets .