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Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
Aric Egmont and Jennie Bass, a young couple in Boston, shared a love of crossword puzzles, and were accustomed to doing the Sunday crossword puzzle together. Intending to propose, and hoping for a great surprise, Aric approached Doug Most , the editor of the Globe Magazine , and through him, Cox and Rathvon, soliciting a special crossword.
Thomas Bowdler LRCP FRS (/ ˈ b aʊ d l ər /; 11 July 1754 – 24 February 1825) was an English physician known for publishing The Family Shakespeare, an expurgated edition of William Shakespeare's plays edited by his sister Henrietta Maria Bowdler. The two sought a version they saw as more appropriate than the original for 19th-century women ...
Perhaps the most famous is the November 5, 1996, puzzle by Jeremiah Farrell, published on the day of the U.S. presidential election, which has been featured in the movie Wordplay and the book The Crossword Obsession by Coral Amende, as well as discussed by Peter Jennings on ABC News, featured on CNN, and elsewhere.
Patrick D. Berry (born 1970) is an American puzzle creator and editor who constructs crossword puzzles and variety puzzles. He had 227 crosswords published in The New York Times from 1999 to 2018. His how-to guide for crossword construction was first published as a For Dummies book in 2004.
Crossword-like puzzles, for example Double Diamond Puzzles, appeared in the magazine St. Nicholas, published since 1873. [31] Another crossword puzzle appeared on September 14, 1890, in the Italian magazine Il Secolo Illustrato della Domenica. It was designed by Giuseppe Airoldi and titled "Per passare il tempo" ("To pass the time"). Airoldi's ...
[5] Edgar is the worthy, legitimate son of Gloucester in King Lear. He disguises himself as "Poor Tom". Edmund: Edmund is the bastard son of Gloucester, and the most calculating of the villains, in King Lear. Edmund Mortimer (1) is a claimant to the English throne, and a leader of the rebel forces, in Henry IV, Part 1. [5]
In this view, the original version of the play was a more positive romantic comedy of the type Shakespeare wrote ca. 1600, like As You Like It and Twelfth Night, while the later revision injected the darker material – leaving the result a hybrid jumble of tones and intents. [23]