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Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
Scytho-Siberian art. Scythian belt plaque featuring a horseman hunting a wild boar, with characteristic Xiongnu horse trappings, from Southern Siberia, Russia 280-180 BCE. Hermitage Museum. [1][2][3][4][5] Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as ...
Adze. An adze (/ ædz /) or adz is an ancient and versatile cutting tool similar to an axe but with the cutting edge perpendicular to the handle rather than parallel. Adzes have been used since the Stone Age. They are used for smoothing or carving wood in hand woodworking, and as a hoe for agriculture and horticulture.
Carpenter's axes or carpenter's hatchets are small axes, usually slightly larger than a hatchet, used in traditional woodwork, joinery, and log-building. They have pronounced beards and finger notches to allow a "choked" grip for precise control. Carpentry axes have straight, long cutting edges and thin blades with a low bevel angle, making ...
Hatchet. A hatchet (from the Old French hachete, a diminutive form of hache, ' axe ' of Germanic origin) is a single-handed striking tool with a sharp blade on one side used to cut and split wood, and a hammerhead on the other side. Hatchets may also be used for hewing when making flattened surfaces on logs; when the hatchet head is optimized ...
Stone carving is an activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, stone work has survived which was created during our prehistory or past time. Work carried out by paleolithic societies to create stone tools is more often referred to as knapping.
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