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2. Arpeggio - Wikipedia

   en.wikipedia.org/wiki/Arpeggio

   Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and ...

3. Arpeggione - Wikipedia

   en.wikipedia.org/wiki/Arpeggione

   The body shape of the arpeggione is, however, more similar to a medieval fiddle than either the guitar or the bass viol. It is essentially a bass viol with a guitar-type tuning, E–A–d–g–b–e' . The arpeggione is especially suited to playing runs in thirds, double stops, and arpeggios. [1]

4. I Want You (She's So Heavy) - Wikipedia

   en.wikipedia.org/wiki/I_Want_You_(She's_So_Heavy)

   8 time, with an arpeggio guitar theme in D minor, progressing through E 7(♭ 9) and B ♭ 7 before cadencing on an A augmented chord. In this chord sequence, the F note is a drone. The bass and lead guitar ascend and descend with a riff derived from the D minor scale. As the last chord fades, a verse begins in 4

5. Sweep picking - Wikipedia

   en.wikipedia.org/wiki/Sweep_picking

   Sweep picking is a guitar-playing technique.When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound.

6. Étude No. 8 (Villa-Lobos) - Wikipedia

   en.wikipedia.org/wiki/Étude_No._8_(Villa-Lobos)

   Étude No. 8 is a study in arpeggios and slurs. The main melody is introduced first in the bass, under the arpeggios, then is passed to the higher strings, and back and forth. The main melody is introduced first in the bass, under the arpeggios, then is passed to the higher strings, and back and forth.

7. Arpeggione Sonata - Wikipedia

   en.wikipedia.org/wiki/Arpeggione_Sonata

   Today, the piece is heard almost exclusively in transcriptions for cello and piano or viola and piano that were arranged after the posthumous publication, although versions that substitute other instruments—including violin, double bass, flute, euphonium, alto saxophone and clarinet for the arpeggione, or guitar or harp for the piano part—are also performed.