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Rembrandt is famous for his use of light and shadow (Chiaroscuro) and Jacob Blessing the Sons of Joseph is not an exception. [6] This draws attention to the main characters of Jacob, Joseph, Ephraim, Manasseh, and Asenath while obscuring the background. In particular, there seems to be a halo surrounding Ephraim as he is being blessed.
Rembrandt portrays the Holy Family as a typical family of Amsterdam in his day. In the foreground Jesus is asleep in the same style of wicker crib that can be seen in period paintings of mothers with babies by Pieter de Hooch. Mary looks up from her book to take a peek at the sleeping child under the crib curtain (Dutch: klamboe).
The Archangel Raphael Leaving Tobias' Family is a 1637 oil-on-panel painting by Rembrandt, now in the Louvre, in Paris, France. [1] The painting depicts a scene from the Book of Tobit, in which the archangel Raphael departs after guiding Tobias on his journey and helping to cure the blindness of his father, Tobit.
David and Jonathan is a painting by the Dutch painter Rembrandt, made in 1642, now in the collection of the Hermitage Museum in Saint Petersburg, Russia. Painted on oak, [ 1 ] it is one of the works, together with the Hellenistic sculpture acquired in 1850, The Venus de Taurida , with which the Hermitage began their collection in 1882.
Rembrandt's teacher, Pieter Lastman, had painted a scene from near the end of the story, The Angel Raphael Takes Leave of Old Tobit and his Son Tobias, in which Tobit and Tobias kneel in pious gratitude before the winged Raphael; and Rembrandt himself later painted Raphael's heavenward departure in The Archangel Raphael Leaving Tobias' Family. [1]
Boaz and Ruth are a pair of paintings by Rembrandt dated to 1643 and thought to represent the painter and his wife as the biblical characters Boaz and Ruth. Ruth is in the possession of the Berlin Gemäldegalerie. Boaz, however, is in the collection at Woburn Abbey where it was hung high on a wall and only identified as a Rembrandt in 2012. [1 ...
“My Rembrandt” is a documentary that revels, as any good Rembrandt documentary should, in the extraordinarily subtle majesty with which Rembrandt Harmenszoon van Rijn, who lived from 1606 to ...
Rembrandt was moved by the parable, and he made a variety of drawings, etchings, and paintings on the theme that spanned decades, beginning with a 1636 etching (see Gallery). The Return of the Prodigal Son includes figures not directly related to the parable but seen in some of these earlier works; their identities have been debated.
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