Search results
Results from the WOW.Com Content Network
The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, " Satisfaction ".
Link Wray, pictured in 1993, who helped pioneer the use of guitar power chords and distortion as early as 1958 with the instrumental, "Rumble", has been cited as an early influence on garage rock. Guitarist Link Wray has been cited as an early influence on garage rock and is known for his innovative use of guitar techniques and effects such as ...
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "(I Can't Get No) Satisfaction". Later in 1965, the design was slightly modified and ...
Barnard's main guitar during his time as a Playboy was a blond Epiphone Emperor arch top model which he inherited from Jimmy Wyble after he replaced Wyble in 1945. Barnard also used a Gibson ES-150 from time to time but it was the Epiphone that was to become his main instrument as he developed his style and modified his equipment to match it.
Bill Wyman in one of the earliest uses of this type of guitar played with a growling fuzz bass tone on the 1966 Rolling Stones songs "Under My Thumb," "Flight 505" and "Think" from their album Aftermath. Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
[12] Music writers also identify Beck's use of a fuzz box as a milestone: according to French, " 'Heart Full of Soul' was one of the first significant uses of fuzz guitar on record—taped a month before the Stones recorded '(I Can't Get No) Satisfaction ' ", [4] while Lavezzoli states that the song is "the first time such a tone had been used ...