Search results
Results from the WOW.Com Content Network
Peking opera and its stylistic devices have appeared in many Chinese films. It often was used to signify a unique "Chineseness" in contrast to sense of culture being presented in Japanese films. Fei Mu , a director of the pre-Communist era, used Peking opera in a number of plays, sometimes within Westernized, realistic plots.
The China National Peking Opera Company has visited over 50 countries, such as the United States, Japan, Germany, France, Italy, Hungary, Greece, Romania, the UK, Australia, and the former Soviet Union, [2] and is a frequent performer at the Kennedy Center for the Performing Arts since its debut at the Kennedy Center 25 years ago and has been ...
The Peking opera subgenre is the focal point of the 1988 play M. Butterfly, in which a spy for the Chinese government disguises himself as a woman performer under the alias Song Liling and enters a 20-year relationship with French civil servant René Gallimard. The latter is unaware that female roles in Peking opera are actually played by men ...
Li Shengsu is a Chinese Peking opera singer-actress who plays Dan roles. She began performing traditional Chinese opera from a young age and is a student of Mei Baojiu and other famous opera performers. [1] She is widely considered a Peking opera superstar and has many renown performances. [2]
The wusheng (Chinese: 武生; pinyin: wǔshēng; lit. 'martial sheng') is a martial character for roles involving combat. They are highly trained in acrobatics, and have a natural voice when singing. [4] In Peking opera, wusheng is further divided into two subcategories based on the character's costume: [1]
A Peking opera performance of The Hegemon-King Bids His Lady Farewell. The Hegemon-King Bids His Lady Farewell [1] (Chinese: 霸王别姬; pinyin: Bà Wáng Bié Jī), also known as Farewell My Concubine, is a traditional Chinese opera. It was initially performed by Yang Xiaolou and Shang Xiaoyun in 1918 in Beijing.
The current company was founded in 1979, [3] but its direct predecessor, the Peking Opera Theater Troupe of Beijing (simplified Chinese: 北京京剧团; traditional Chinese: 北京京劇團; pinyin: Běijīng Jīngjù Tuán), was founded in 1955.
The Zhengyici Peking Opera Theatre (Chinese: 正乙祠戏楼; pinyin: Zhèngyǐcí Xìlóu), located on a hutong in the Xuanwu District of Beijing, is one of the best-known Beijing opera theatres. It is also one of the oldest wooden theatres in China. Zhengyici means a temple (ci) for Zhengyi Xuantan Laozu (正乙玄坛老祖). [1]