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Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1] A stone wall may be decorated with such a pattern sculpted in relief ; in brickwork the effect may be achieved by using bricks of different colours, or by allowing certain bricks to protrude from ...
Glass coloring and color marking may be obtained in several ways. by the addition of coloring ions, [1] [2] by precipitation of nanometer-sized colloids (so-called striking glasses [1] such as "gold ruby" [3] or red "selenium ruby"), [2] Ancient Roman enamelled glass, 1st century, Treasure of Begram; by colored inclusions (as in milk glass and ...
There were three main materials used for the pages of books in this time period: papyrus, parchment or vellum, and paper (Alexander 35). Papyrus was the primary writing material of the ancient world, and was created by beating stalks of the papyrus reed together until the fibers in the plant formed a tight, almost woven structure.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Stained Glass Museum Ely, Cambridgeshire c. 1920: Also in the Stained Glass Museum is an oval glass panel entitled "Hammer and Tongs". Two medieval characters are shown attacking each other. One pulls his opponent’s hair with a pair of tongs whilst the other hits his knee-cap with a hammer. Parsons used it to illustrate the poem he had written-
The geometry of crumpled structures is the subject of some interest to the mathematical community within the discipline of topology. [1] Crumpled paper balls have been studied and found to exhibit surprisingly complex structures with compressive strength resulting from frictional interactions at locally flat facets between folds. [ 2 ]
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