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The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and 53rd Street .
In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager, after their success with Studio 54. Japanese architect Arata Isozaki redesigned the building's interior for the club. [3] Peter Gatien owned and operated the club from 1992 until 1997. The Palladium closed in August 1997 following its purchase by New York ...
The International Salsa Museum (ISM) is a museum in development in New York City dedicated to preserving and celebrating the history, evolution, and global impact of salsa music and dance. [ 1 ] [ 2 ] It has garnered support from the estates of salsa icons Tito Puente and Celia Cruz , as well as many other musicians, dancers, choreographers ...
Their professional debut was at the Waldorf Astoria in 1955 with Harry Belafonte but, prior to this, they were the popular adagio dance team at both the New York City Palladium Ballroom, and Roseland Ballroom where the Mambo craze began. [citation needed] Augie Rodriguez died from cancer at the couple's Deerfield Beach, Florida home on July 18 ...
The modern mambo dance from New York was popularized in the late 1960s into the 1970s by George Vascones, president of a dance group known as the Latin Symbolics, from the Bronx, New York. George Vascones continued the mambo dance tradition which started two decades earlier during the "Palladium era".
It contains a dining area and an athletic center, which is open to the general NYU community. Palladium Hall is named after the night club, The Palladium, owned by Steve Rubell and Ian Schrager (both former owners of Studio 54) and formerly known as the Academy of Music. NYU purchased the land and built the Palladium Residence Hall in 2001.
Ralph Mercado Jr. (September 29, 1941 – March 10, 2009) was an American businessman and music promoter. He promoted Latin American music — Latin Jazz, Latin rock, merengue and salsa — and established a network of businesses that included promoting concerts, managing artists, Ritmo Mundo Musical (RMM) a record label the most important in the Latin industry during the late 1980s and ...
Sanabria's Latin New York magazine was an English language publication. Consequently, his promoted events were covered in The New York Times, as well as Time and Newsweek magazines. [23] Sanabria confessed the term salsa was not developed by musicians: "Musicians were busy creating the music but played no role in promoting the name salsa."