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Notable women associated with the Renaissance era (circa 1450-1600). Subcategories. This category has the following 5 subcategories, out of 5 total. 0–9.
The woman question was raised in many different social areas. For example, in the second half of the 19th century, in the context of religion, extensive discussion within the United States took place on the participation of women in church. In the Methodist Episcopal Church, the woman question was the most pressing issue in the 1896 conference ...
The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
Despite its relatively short life, gender history (and its forerunner women's history) has had a rather significant effect on the general study of history.Since the 1960s, when the initially small field first achieved a measure of acceptance, it has gone through a number of different phases, each with its own challenges and outcomes, but always making an impact of some kind on the historical ...
Women were healers and engaged in medical practices. In 12th-century Salerno, Italy, Trota wrote one of the Trotula texts on diseases of women. [30] Her text, Treatments for Women, addressed events in childbirth that called for medical attention. The book was a compilation of three original texts and quickly became the basis for the medical ...
Inherent in the study of women's history is the belief that more traditional recordings of history have minimised or ignored the contributions of women to different fields and the effect that historical events had on women as a whole; in this respect, women's history is often a form of historical revisionism, seeking to challenge or expand the ...
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [54] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo. [54]
Petrarch, from the Cycle of Famous Men and Women. ca. 1450. Detached fresco. 247 cm × 153 cm (97.24 in × 60.24 in). Galleria degli Uffizi, Florence, Italy. Artist: Andrea di Bartolo di Bargilla (ca. 1423–1457). One role of Petrarch is as the founder of a new method of scholarship, Renaissance humanism.